Galileo (left, Paul Whitworth) and Sagredo (Stephen Caffrey) gaze in awe at the stars in the Cleveland Play House production of "The Life of Galileo," directed by Michael Donald Edwards, on stage in the Allen Theatre at PlayhouseSquare, September 16 – October 9, 2011. Photo credit: Roger Mastroianni
Senators look through Galileo's telescope across the harbor in Venice in the Cleveland Play House production of "The Life of Galileo," directed by Michael Donald Edwards, on stage in the Allen Theatre at PlayhouseSquare, September 16 – October 9, 2011. Photo credit: Roger Mastroianni
Galileo (left, Paul Whitworth) demonstrates the earth's rotation to his young pupil, Andrea (Aric Generette Floyd) in the Cleveland Play House production of "The Life of Galileo," directed by Michael Donald Edwards, on stage in the Allen Theatre at PlayhouseSquare, September 16 – October 9, 2011. Photo credit: Roger Mastroianni
Galileo (left, Paul Whitworth) examines the moons of Jupiter in the Cleveland Play House production of "The Life of Galileo," directed by Michael Donald Edwards, on stage in the Allen Theatre at PlayhouseSquare, September 16 – October 9, 2011. Also pictured: Stephen Caffrey. Photo credit: Roger Mastroianni
Galileo (right, Paul Whitworth) presents the moons of Jupiter to Cosimo de Medici (left, Thomas Weil), for whom they are named, in the Cleveland Play House production of "The Life of Galileo," directed by Michael Donald Edwards, on stage in the Allen Theatre at PlayhouseSquare, September 16 – October 9, 2011. Also pictured: Aric Generette Floyd. Photo credit: Roger Mastroianni
Galileo (Paul Whitworth) and his telescope in the Cleveland Play House production of "The Life of Galileo," directed by Michael Donald Edwards, on stage in the Allen Theatre at PlayhouseSquare, September 16 – October 9, 2011. Photo credit: Roger Mastroianni
Philip Goodwin as The Cardinal Inquisitor in the Cleveland Play House production of "The Life of Galileo," directed by Michael Donald Edwards, on stage in the Allen Theatre at PlayhouseSquare, September 16 – October 9, 2011. Photo credit: Roger Mastroianni
The Cardinal Inquisitor (right, Philip Goodwin) contemplates the consequences of Galileo's discoveries with Virginia (Kim Krane), Galileo's daughter, in the Cleveland Play House production of "The Life of Galileo," directed by Michael Donald Edwards, on stage in the Allen Theatre at PlayhouseSquare, September 16 – October 9, 2011. Photo credit: Roger Mastroianni
Virginia (right, Kim Krane), the daughter of Galileo, laughs with Signora Sarti (Myra Lucretia Taylor), in the Cleveland Play House production of "The Life of Galileo," directed by Michael Donald Edwards, on stage in the Allen Theatre at PlayhouseSquare, September 16 – October 9, 2011. Photo credit: Roger Mastroianni
Paul Whitworth as Galileo in the Cleveland Play House production of "The Life of Galileo," directed by Michael Donald Edwards, on stage in the Allen Theatre at PlayhouseSquare, September 16 – October 9, 2011. Photo credit: Roger Mastroianni
The discoveries of Galileo (Paul Whitworth, left) have personal consequences for his daughter Virginia (Kim Krane) in the Cleveland Play House production of "The Life of Galileo," directed by Michael Donald Edwards, on stage in the Allen Theatre at PlayhouseSquare, September 16 – October 9, 2011. Also pictured: Sheldon Best. Photo credit: Roger Mastroianni
Galileo and his team delight in their experiment in the Cleveland Play House production of "The Life of Galileo," directed by Michael Donald Edwards, on stage in the Allen Theatre at PlayhouseSquare, September 16 – October 9, 2011. Pictured, from left: Jeremy Kendall, Paul Whitworth, Sheldon Best, Robert Ellis. Photo credit: Roger Mastroianni
Word spreads through the marketplace about Galileo's discoveries in the Cleveland Play House production of "The Life of Galileo," directed by Michael Donald Edwards, on stage in the Allen Theatre at PlayhouseSquare, September 16 – October 9, 2011. Photo credit: Roger Mastroianni
The chorus spreads the news about Galileo's discoveries in the Cleveland Play House production of "The Life of Galileo," directed by Michael Donald Edwards, on stage in the Allen Theatre at PlayhouseSquare, September 16 – October 9, 2011. Photo credit: Roger Mastroianni
Virginia (Kim Krane) prays for her father as he faces the Inquisition in the Cleveland Play House production of "The Life of Galileo," directed by Michael Donald Edwards, on stage in the Allen Theatre at PlayhouseSquare, September 16 – October 9, 2011. Photo credit: Roger Mastroianni
The Cardinal Inquisitor (left, Philip Goodwin) discusses Galileo's fate with Pope Barberini (Charles Kartali) in the Cleveland Play House production of "The Life of Galileo," directed by Michael Donald Edwards, on stage in the Allen Theatre at PlayhouseSquare, September 16 – October 9, 2011. Also pictured: Jonathan Ramos, Michael Herbert. Photo credit: Roger Mastroianni
Galileo (left, Paul Whitworth) is embraced by his daughter Virginia (Kim Krane) after he recants in the Cleveland Play House production of "The Life of Galileo," directed by Michael Donald Edwards, on stage in the Allen Theatre at PlayhouseSquare, September 16 – October 9, 2011. Photo credit: Roger Mastroianni
Galileo recants his discovery that the earth revolves around the sun in the Cleveland Play House production of "The Life of Galileo," directed by Michael Donald Edwards, on stage in the Allen Theatre at PlayhouseSquare, September 16 – October 9, 2011. Pictured, from left: Jeremy Kendall, Sheldon Best, Robert Ellis, Kim Krane. Photo credit: Roger Mastroianni
Paul Whitworth as Galileo in the Cleveland Play House production of "The Life of Galileo," directed by Michael Donald Edwards, on stage in the Allen Theatre at PlayhouseSquare, September 16 – October 9, 2011. Photo credit: Roger Mastroianni
Andrea Sarti (left, Sheldon Best) reconnects with his mentor Galileo (Paul Whitworth) in the Cleveland Play House production of "The Life of Galileo," directed by Michael Donald Edwards, on stage in the Allen Theatre at PlayhouseSquare, September 16 – October 9, 2011. Photo credit: Roger Mastroianni
Galileo (left, Paul Whitworth) shares his latest work with his former pupil, Andrea Sarti (Sheldon Best), in the Cleveland Play House production of "The Life of Galileo," directed by Michael Donald Edwards, on stage in the Allen Theatre at PlayhouseSquare, September 16 – October 9, 2011. Photo credit: Roger Mastroianni
It’s a new age! The telescope, astronomy, and the dawn of science. Filled with an exciting blend of drama and biting humor, this powerful biography presents the startlingly relevant tale of history’s most famous conflict between reason and faith. Cleveland’s theatrical event of the season!
Alex Hernandez: (Ludovico Marsili) recently completed his acting apprenticeship at Actors Theatre of Louisville, where credits include the world premiere of The End (2011 Humana Festival) and Dracula. Other theatre credits include The Lost Colony at Waterside Theatre and the staged reading of The Specialist at Hippodrome State Theatre. He is a proud collaborator in Signs of Life, a hip hop theatre troupe based in Gainesville, Florida. Hernandez has his Bachelor of Fine Arts in Acting, University of Florida. less recently completed his acting apprenticeship at Actors Theatre of Louisville, where credits include the world premiere of The End (2011 Humana Festival) and Dracula. Other theatre credits include The Lost Colony at Waterside Theatre and the staged reading of The Specialist at Hippodrome State Theatre. He is a proud collaborator in Signs... more
Andrew Gorell: (Ensemble) Andrew is a native of Milwaukee, Wisconsin. Andrew appeared in Cleveland Play House’s production of The Life of Galileo this season and portrayed Albert Porter in a staged reading of Three Voyages of the Lobotomobile, CPH FusionFest 2011. Gorell was featured in CWRU/CPH MFA Acting Program productions of The Winter’s Tale, Present Laughter, An Orchard and Cloud 9. Regionally he has been seen in Hamlet, Pericles and The Duchess of Malfi, American Shakespeare Center; Much Ado About Nothing, Oberlin Summer Theater Festival; Noises Off, Milwaukee Rep; Romeo and Juliet, The Philadelphia Shakespeare Theatre; and The Mines of Sulphur and The Good Soldier Schweik, Glimmerglass Opera. Andrew has toured the United States with Richard III (as Richard III) with the American Shakespeare Center and Cyrano de Bergerac (as Cyrano) with the National Theater of Arts and Education. He has acted in Chicago with Bailiwick Rep; New York City with The Ensemble Studio Theatre and Collective Act; and in France with Les Compagnons Balladins. His film work includes Pretty All the Time, screened at the 2012 Cleveland International Film Festival. Andrew has appeared in multiple commercials on radio and television, including the Ohio Lottery and the Milwaukee Journal/Sentinal. Education includes a Bachelor of Arts, University of Minnesota and he is a Chloe Oldenburg scholarship recipient. less Andrew is a native of Milwaukee, Wisconsin. Andrew appeared in Cleveland Play House’s production of The Life of Galileo this season and portrayed Albert Porter in a staged reading of Three Voyages of the Lobotomobile, CPH FusionFest 2011. Gorell was featured in CWRU/CPH MFA Acting Program productions of The Winter’s... more
Aric Generette Floyd: (Andrea Sarti, a boy) performed at Cleveland Play House and Arizona Theatre Company in the 2008 – 2009 season as Travis in A Raisin in the Sun. Now a sophomore at Hawken School, he had his first theatrical experience in Great Lakes Theater Festival productions of A Christmas Carol, where he appeared as Tiny Tim from 2002 to 2004. Floyd has since appeared in Antigone at Baldwin Wallace College, Goldilocks on Trial and Caroline or Change at Karamu House, The Wiz at East Cleveland Theater, Shenandoah at University School, Der Rosenkavalier with The Cleveland Orchestra, Oliver and Nine at Cain Park, 13 at Fairmount Performing Arts Center and Hairspray at Hawken School. He has also attended Fairmount Performing Arts Camp and Camp Cleveland Play House. less performed at Cleveland Play House and Arizona Theatre Company in the 2008 – 2009 season as Travis in A Raisin in the Sun. Now a sophomore at Hawken School, he had his first theatrical experience in Great Lakes Theater Festival productions of A Christmas Carol, where he appeared as Tiny... more
Bob Goddard: (Ensemble) recently appeared as Dinny in The Walworth Farce at Dobama Theatre where he will also be seen this December as Richard Harkin in The Seafarer. Other local credits include Goldstar, Ohio at Cleveland Public Theatre and appearances at Clague Playhouse and The Beck Center for the Arts. Favorite work includes The Caretaker, Comedians, Greater Tuna and Hedda Gabler. Chicago credits include the original production of The Good Times Are Killing Me at City Lit Theater. Goddard holds a Bachelor of Arts in Theatre from Bowling Green State University. less recently appeared as Dinny in The Walworth Farce at Dobama Theatre where he will also be seen this December as Richard Harkin in The Seafarer. Other local credits include Goldstar, Ohio at Cleveland Public Theatre and appearances at Clague Playhouse and The Beck Center for the Arts. Favorite work includes... more
Charles Kartali: (Bursar/Cardinal Barberini) played the Bursar and Cardinal Barberini in The Life of Galileo at Cleveland Play House this season. Other CPH credits include The Old Man in all five productions of A Christmas Story, a role he reprised at Syracuse Stage; several roles in Bill W. and Dr. Bob; Christopher Trumbo in Trumbo; Mitch Albom in Tuesdays with Morrie; and FusionFests 2006 – 2011. Cleveland area acting work includes The Book of Grace and A Bright Room Called Day at Cleveland Public Theatre; Pangs of the Messiah and Brooklyn Boy, produced by The Mandel Jewish Community Center; The Price and Frankie and Johnny in the Clair de Lune, Ensemble Theatre; The Seafarer and The Goat or, Who is Sylvia?, Dobama Theatre; and Awake and Sing, at the Halle. Regionally he has performed at American Stage, Aspen Theatre in the Park, BoarsHead, Shadowland and Steppenwolf Theatre Company, among others. Film and television includes High Spirits and Lost Subs. less played the Bursar and Cardinal Barberini in The Life of Galileo at Cleveland Play House this season. Other CPH credits include The Old Man in all five productions of A Christmas Story, a role he reprised at Syracuse Stage; several roles in Bill W. and Dr. Bob; Christopher Trumbo in... more
Christian Prentice: (Ensemble) recently appeared in Fever/Dream at Cleveland Public Theatre. Other Cleveland area credits include Quake, Ouroboros, and Dark Ride at Convergence-Continuum and Prodigal Lizard Returns to Feckin Hell, GYMWorks at Dobama Theatre. Prentice is a recent graduate of Kent State University.
Dan Hendrock: (Ensemble) Dan just filmed “Big Change,” a commercial for GE which landed him another spot with GE that is still in the works. He also just finished filming a commerical/print shoot for Powerhouse Generators. He was most recently seen at Cleveland Play House in The Winter’s Tale as Polixenes and Young Shepherd and as Lord Chamberlain in The Life of Galileo. He also participated in a staged reading of Silent Sky for CPH Fusion Fest 2011 and performed in CWRU/CPH MFA Acting Program productions of Present Laughter, An Orchard and Cloud 9. He helped conceive and produce an experimental Michael Chekhov technique production of Dead Man’s Cell Phone where he performed the role of Dwight. Other credits include The Players Theatre, New York; Porthouse Theatre; Cain Park; Beck Center for the Arts; La Commedia Dinner Theatre; Ohio Shakespeare Festival; The Palace Theatre; Huron Playhouse; Shawnee Playhouse; and national tours with Artspower and Periwinkle National Theatre. He has appeared in several original, conceptual projects such as the international premiere of The Secret of the Ceiba Tree, The David Gonzalez Project; Billy Goat Gruff, Fort Tryon Park, N.Y.; and the original staged reading of Cumberland Blues, Carousel Dinner Theatre. He has a Bachelor of Fine Arts in Musical Theatre from Kent State University. less Dan just filmed “Big Change,” a commercial for GE which landed him another spot with GE that is still in the works. He also just finished filming a commerical/print shoot for Powerhouse Generators. He was most recently seen at Cleveland Play House in The Winter’s Tale as Polixenes and Young... more
Eva Gil: (Ensemble) Eva recently appeared as Hermione, as well as Mopsa, in The Winter’s Tale. Other roles in the CWRU/CPH MFA Acting Program’s productions include: Joanna in Present Laughter, Varya in An Orchard, Edward/Victoria in Cloud 9, and Hermia/The Other Woman in Dead Man’s Cell Phone. At Cleveland Play House she appeared in The Life of Galileo, and she understudied as well as played the role of Daria Chase in the world premiere of The Game’s Afoot. Eva recently worked in Chicago with Collaboraction, the side project theatre company, Redtwist Theatre and 5th Floor Productions. She also spent a season at Actors Theatre of Louisville as part of the Acting Apprenticeship Company where she performed in A Christmas Carol, Neon Mirage (Humana Festival), The Madwoman of Chaillot and Tiny Baby, among others. Also a passionate producer of new plays, she has co-produced six critically successful productions in New York and Chicago. Commercially, Eva has booked spots with Moen, Sunstar Toothbrush and The Maids. less Eva recently appeared as Hermione, as well as Mopsa, in The Winter’s Tale. Other roles in the CWRU/CPH MFA Acting Program’s productions include: Joanna in Present Laughter, Varya in An Orchard, Edward/Victoria in Cloud 9, and Hermia/The Other Woman in Dead Man’s Cell Phone. At Cleveland Play House she appeared... more
Jeffrey Grover: (Ensemble) appeared at Cleveland Play House in FusionFest staged readings of U.S. v. Howard Mechanic (2009), The Will to Art (2008) and Americans (2006). Favorite work includes Free Man of Color, Ensemble Theatre; How I Learned to Drive and Lady, The Bang and the Clatter; Two Rooms, Charenton Theater Company/Cleveland Public Theatre; Six Degrees of Separation, Charenton; Mrs. Warren's Profession, The Seagull, and Art, The Beck Center for the Arts; and The Old Neighborhood and The Exonerated, Dobama Theatre. Film includes the soon to be released Take Shelter, The War That Made America, A Trumpet at the Walls of Jericho and Compliance (post production). Grover continues his involvement producing plays and related programming focused on issues of social relevance. He holds a Bachelor of Arts in Theater from Case Western Reserve University. less appeared at Cleveland Play House in FusionFest staged readings of U.S. v. Howard Mechanic (2009), The Will to Art (2008) and Americans (2006). Favorite work includes Free Man of Color, Ensemble Theatre; How I Learned to Drive and Lady, The Bang and the Clatter; Two Rooms, Charenton Theater Company/Cleveland Public... more
Jeremy Kendall: (A Little Monk) was at Cleveland Play House first thing this season playing the role of A Little Monk in The Life of Galileo, the inaugural production at the newly revamped Allen Theatre. Kendall recently played the role of Denny in A Steady Rain at Dobama Theatre. Before moving to Cleveland he originated the role of Tricky Pete/Matthias Paine in Christopher Cartmill’s Home Land for Nebraska’s Lied Center for Performing Arts. Other credits include Resident Alien and Bus Stop for Nebraska Repertory Theatre, Hamlet and Much Ado About Nothing for Flatwater Shakespeare. less was at Cleveland Play House first thing this season playing the role of A Little Monk in The Life of Galileo, the inaugural production at the newly revamped Allen Theatre. Kendall recently played the role of Denny in A Steady Rain at Dobama Theatre. Before moving to Cleveland he originated the... more
Jonathan Ramos: (Ensemble) has performed in New York in Way to Heaven at Repertorio Espanol and Wanderlust: A History of Walking, presented by Cleveland Public Theatre at Soho Think Tank’s Ice Factory Festival. Other credits include Show Boat, Grand Hotel, and The Scarlet Pimpernel with Mercury Summer Stock; High School Musical at West Virginia Public Theatre; and the title role in Peter Pan at Porthouse Theatre. Ramos has his Bachelor of Fine Arts degree from Wright State University. less has performed in New York in Way to Heaven at Repertorio Espanol and Wanderlust: A History of Walking, presented by Cleveland Public Theatre at Soho Think Tank’s Ice Factory Festival. Other credits include Show Boat, Grand Hotel, and The Scarlet Pimpernel with Mercury Summer Stock; High School Musical at West... more
Kelli Ruttle: (Ensemble) Kelli was recently seen in an acclaimed performance as Uta Hagen in Ten Chimneys at Cleveland Play House. Also at CPH, she appeared in The Life of Galileo and in Bill W. and Dr. Bob as a performing understudy. Other Cleveland credits include Silent Sky and Eyes Forward (CPH FusionFest), Grizzly Mama (Dobama Theatre, VO), and the CWRU/CPH MFA Acting Program productions of The Winter’s Tale, Present Laughter, An Orchard and Cloud 9. Regional theatre credits include Tartuffe, directed by Tony Award winner Des McAnuff, and the premiere workshop of Guitar, La Jolla Playhouse; Hamlet, Idaho Shakespeare Festival; Stories of the Night Told Over, Hayworth Theatre; As You Like It, La Jolla Stage Company; The Ladies of the Camellias, The Clearing and The Kid from Stratford, Carlsbad Playhouse; and Hay Fever, Onstage Playhouse. She came to the program from Los Angeles where she worked in TV/film, commercials, as well as theatre. Besides her Bachelor of Arts in Theatre from San Diego State University, she is a British American Drama Academy alumna and Chloe Oldenberg scholarship recipient. less Kelli was recently seen in an acclaimed performance as Uta Hagen in Ten Chimneys at Cleveland Play House. Also at CPH, she appeared in The Life of Galileo and in Bill W. and Dr. Bob as a performing understudy. Other Cleveland credits include Silent Sky and Eyes Forward (CPH FusionFest),... more
Kim Krane: (Virginia Galilei) Kim made her way to Cleveland by way of Kalamazoo, Michigan. She recently appeared at Cleveland Play House as Virginia Galilei in The Life of Galileo and in the CPH FusionFest 2011 staged reading of Silent Sky. She also understudied the role of Aggie Wheeler in the world premiere of The Game’s Afoot. In the CWRU/CPH MFA Acting Program, Krane was seen as Maud/Lin in Cloud 9, Anya in The Cherry Orchard, Monica Reed in Present Laughter and most recently Mamillius/Perdita/The Bear in The Winter’s Tale. Krane holds a Bachelor of Arts in Theatre Performance from Western Michigan University. While there she worked with hip-hop artist Will Power to conceive and perform in an original show; performed in WMU’s production of Dracula at the Pabst Theatre in 2007; originated the role of Abby in the world premiere of The War Wound; collaborated with Leon Inglsrud of the SITI company on a production of Dr. Faustus; and played Kattrin in Mother Courage. Regional credits include Jean in Dead Man’s Cell Phone, CWRU; Alice in Closer, Knockabout Theatre Company; Ellen in Little Dog Laughed, Whole Art Theatre; and Dorothy in Hotline, Knockabout Theatre Company. less Kim made her way to Cleveland by way of Kalamazoo, Michigan. She recently appeared at Cleveland Play House as Virginia Galilei in The Life of Galileo and in the CPH FusionFest 2011 staged reading of Silent Sky. She also understudied the role of Aggie Wheeler in the world premiere of... more
Michael Herbert: (Ensemble) Michael recently appeared in Cleveland Play House’s production of The Life of Galileo and as the understudy for the role of Simon Bright in the immensely successful world premiere of Ken Ludwig’s play The Game’s Afoot. In the CWRU/CPH MFA Acting Program, Herbert has starred as Florizel in Shakespeare’s The Winter’s Tale (directed by R.A.D.A.’s Geoff Bullen), Hugo in Present Laughter, Trofimov in An Orchard and Harry/Martin in Cloud 9. Other recent credits include Ferdinand in The Tempest, Menelaus in Iphigenia 2.0, Cyrano de Bergerac, and the title role in Ion. Herbert has also worked at The Space Theatre in London and performed on tour last summer with Student Life, traveling over 11,000 miles in two months. He earned his Bachelor of Fine Arts in Performance from Baylor University. less Michael recently appeared in Cleveland Play House’s production of The Life of Galileo and as the understudy for the role of Simon Bright in the immensely successful world premiere of Ken Ludwig’s play The Game’s Afoot. In the CWRU/CPH MFA Acting Program, Herbert has starred as Florizel in Shakespeare’s The... more
Myra Lucretia Taylor: (Signora Sarti) recently performed in Going to St. Ives at Barrington Stage Company. Broadway credits include Nine, Macbeth, Electra, Chronicle of a Death Foretold, Mule Bone, and A Streetcar Named Desire. Selected off Broadway credits are The Little Foxes, New York Theatre Workshop; Love, Loss and What I Wore, Westside Theatre; Cool Dip in the Barren Saharan Creek, Crazy Mary, and Fabulation, world premieres at Playwrights Horizons; and The Colored Museum, world premiere, Crossroads Theatre Company and Public Theatre. Taylor toured nationally with Wicked as Madame Morrible. Regional credits are world premieres Mary, Goodman Theatre and The Old Settler, McCarter Theatre Center and Long Wharf Theatre. Internationally she has appeared in The Winter's Tale and Pericles, Royal Shakespeare Company; and The Colored Museum, London’s West End. Film and television includes Silver Tongues, The Private Lives of Pippa Lee, Lobster Farm, Changing Lanes, The Big C, and Law & Order. Taylor earned a 2004 Fox Foundation Fellowship. less recently performed in Going to St. Ives at Barrington Stage Company. Broadway credits include Nine, Macbeth, Electra, Chronicle of a Death Foretold, Mule Bone, and A Streetcar Named Desire. Selected off Broadway credits are The Little Foxes, New York Theatre Workshop; Love, Loss and What I Wore, Westside Theatre; Cool... more
Paul Whitworth: (Galileo Galilei) studied at St. Andrews and Oxford Universities and began his acting career at Royal Shakespeare Company (1976-1982). During a long association with Shakespeare Santa Cruz, he played many Shakespearean leading characters. Other major roles include Count Almaviva in The Marriage of Figaro, Sheffield Crucible Theatre; Higgins in Pygmalion, Seattle Repertory Theatre; George in Who’s Afraid of Virginia Woolf? and Neils Bohr in Copenhagen, Syracuse Stage; George in Night and Day, ACT San Francisco; Dr. Robert Smith in Blue/Orange, Aurora Theatre, Berkeley; John in Shining City, San Francisco Playhouse; and, at Asolo Repertory Theatre: Dysart in Equus, Mr.Hammerschmidt in The Perfume Shop and the title role in The life of Galileo. Most recently Whitworth played Forrest in Hurricane by Nilo Cruz at Ringling International Arts Festival and Krapp in Krapp’s Last Tape at Jewel Theatre, Santa Cruz. Whitworth has directed in the UK and USA. From 1996 to 2007 he was artistic director of Shakespeare Santa Cruz. less studied at St. Andrews and Oxford Universities and began his acting career at Royal Shakespeare Company (1976-1982). During a long association with Shakespeare Santa Cruz, he played many Shakespearean leading characters. Other major roles include Count Almaviva in The Marriage of Figaro, Sheffield Crucible Theatre; Higgins in Pygmalion, Seattle Repertory... more
Philip Goodwin: (The Cardinal Inquisitor) appeared on Broadway in Tartuffe, The Diary of Anne Frank, and The School for Scandal. Off Broadway acting work includes The Public Theater, King Lear, Pericles, Macbeth and Hamlet; MCC Theater, Grace; Atlantic Theatre Company, The Room/Celebration; Signature Theatre Company, Drowning; New York Theatre Workshop, The Trestle at Pope Lick Creek; and Theatre for a New Audience, Cymbeline, Troilus and Cressida and Henry VI as Henry VI, resulting in a Drama Desk nomination, Outstanding Actor. Shakespeare Theatre Company of Washington DC work earned him Helen Hayes Awards for Malvolio in Twelfth NIght, Timon in Timon of Athens and Mayor Stockman in An Enemy of the People. He has also been seen at The Kennedy Center, Studio Theatre, Hartford Stage, Guthrie Theater, Great Lakes Theater Festival, Studio Arena Theatre, Intiman Theatre and The Acting Company. Film and television follows: The Pink Panther, The Pink Panther Two, Diary of a City Priest, Men in Black II, and Law and Order episodes. less appeared on Broadway in Tartuffe, The Diary of Anne Frank, and The School for Scandal. Off Broadway acting work includes The Public Theater, King Lear, Pericles, Macbeth and Hamlet; MCC Theater, Grace; Atlantic Theatre Company, The Room/Celebration; Signature Theatre Company, Drowning; New York Theatre Workshop, The Trestle at Pope Lick... more
Robert Ellis: (Federzoni/Vanni) appeared at Cleveland Play House in The Life of Galileo earlier this season and in CPH FusionFest 2010 as the General in sold-out performances of A Soldier’s Tale with Catch and Release. Other area acting work includes Stone Cold Dead Serious, Cleveland Public Theatre; Circle, Mirror, Transformation and The Late Henry Moss, Dobama Theatre; Of Mice and Men and Dog Eat Dog, Ensemble Theatre; and Annie Get Your Gun, The Foreigner, The Art of Dining, Inherit the Wind, and The Learned Ladies, Porthouse Theatre. Regional theatre credits include The Illusion, Hippodrome State Theatre in Gainesville, Florida and Harvey with Oldcastle Theatre Company, Bennington, Vermont. Ellis is a professor of theatre at Cuyahoga Community College West, and he is Ohio State chair for Region number three of The Kennedy Center for the Performing Arts’ American College Theater Festival. He is also a founding member of Cabaret Dada, a well-respected improvisational theatre based in downtown Cleveland. less appeared at Cleveland Play House in The Life of Galileo earlier this season and in CPH FusionFest 2010 as the General in sold-out performances of A Soldier’s Tale with Catch and Release. Other area acting work includes Stone Cold Dead Serious, Cleveland Public Theatre; Circle, Mirror, Transformation and The Late... more
Sheldon Best: (Andrea Sarti, a man/Masked Guest/Old Cardinal's Monk) is based in New York City where credits include Freed, 59E59 and Penguin Rep Theatre, for which he received an AUDELCO Viv Award nomination; Soul Samurai, Ma-Yi Theater Company and Vampire Cowboys Theatre Company; Alice in Slasherland, Vampire Cowboys; Paradox of the Urban Cliché, LAByrinth Theater Company; and Gentrifusion: Crawl, Red Fern Theatre Company. Best has also appeared in many new works with Ensemble Studio Theatre where he is a company member. Regional credits include Superior Donuts, Denver Center Theatre Company, receiving the Colorado Theatre Guild’s Henry nomination; Lydia R. Diamond’s Harriet Jacobs, Underground Railway Theater; Much Ado About Nothing, Actors’ Shakespeare Project; The Oil Thief, Boston Playwrights' Theatre; The History Boys, SpeakEasy Stage Company; and One Flew Over the Cuckoo's Nest, Berkshire Theatre Festival. Best holds a Bachelor of Arts in Theater Arts and in English and American Literature, Brandeis University. less is based in New York City where credits include Freed, 59E59 and Penguin Rep Theatre, for which he received an AUDELCO Viv Award nomination; Soul Samurai, Ma-Yi Theater Company and Vampire Cowboys Theatre Company; Alice in Slasherland, Vampire Cowboys; Paradox of the Urban Cliché, LAByrinth Theater Company; and Gentrifusion: Crawl,... more
Stephen Caffrey: (Sagredo/Cardinal Bellarmin) Selected theatre credits are One Flew Over the Cuckoo’s Nest, Portland Center Stage; Victoria Musica, Cincinnati Playhouse in the Park; King Lear and Autumn Garden, The Antaeus Company; The Constant Wife, The Pasadena Playhouse; Bach at Leipzig, South Coast Repertory; Heartbreak House, Berkeley Rep; The Voysey Inheritance, The Real Thing and A Doll’s House, ACT San Francisco; 36 Views, Laguna Playhouse; The Body of Bourne, Mark Taper Forum; All’s Well that Ends Well, Shakespeare Santa Cruz; Bargains, The Old Globe; The Miser, Hartford Stage; I Hate Hamlet, Royal George Theatre; What You Get and Expect, New York Theatre Workshop; Scarlet Letter, Classic Stage Company; and Restoration Comedy, Seattle Rep. Film and television includes Cinema Verite, HBO; CSI Miami; Columbo; Tour of Duty, CBS (series regular); Longtime Companion; Chicago Hope; Buried Alive; The Profiler; Indiana Jones Chronicles; Nothing Lasts Forever; Blowback; and Murder of Innocence. less Selected theatre credits are One Flew Over the Cuckoo’s Nest, Portland Center Stage; Victoria Musica, Cincinnati Playhouse in the Park; King Lear and Autumn Garden, The Antaeus Company; The Constant Wife, The Pasadena Playhouse; Bach at Leipzig, South Coast Repertory; Heartbreak House, Berkeley Rep; The Voysey Inheritance, The Real Thing... more
Thomas Weil: (Cosimo de Medici, a boy) understudied all the young male parts in Cleveland Play House’s 2009 production of A Christmas Story—not an easy feat for a then nine-year-old, as this meant learning the lines for five roles including the protagonist Ralphie! In 2010 Weil played The Young Hero Timothy in FamFest USA’s production of Ultimus Veneficus: Last of the Sorcerers and in 2009 appeared in Beachwood Community Theater’s production of A Boy Called Pinocchio. He also appeared in Fairmount Performing Arts Conservatory productions of The Dancing Man and Children of Eden. In 2010 he won the Best Acting Award for his age group at Cleveland Indie Festival. Weil moved to Cleveland from Bethesda, Maryland. In addition to theatre he enjoys football, basketball, and reading. less understudied all the young male parts in Cleveland Play House’s 2009 production of A Christmas Story—not an easy feat for a then nine-year-old, as this meant learning the lines for five roles including the protagonist Ralphie! In 2010 Weil played The Young Hero Timothy in FamFest USA’s production of Ultimus... more
Yan Tual: (Ensemble) Yan is a French actor born in Paris. He recently appeared in The Life of Galileo and The Game’s Afoot (u/s) at Cleveland Play House as well as in CWRU/CPH MFA Acting Program productions of The Winter’s Tale, Present Laughter, An Orchard, Mnemonic and Cloud 9. Other credits include A Bright Room Called Day at the University of Minnesota’s Rarig Center; A Midsummer Night’s Dream at LAMDA, London; El Visitante at U. Francisco de Vitoria, Madrid; Sur la Grand’ Route at Maison Louis Jouvet in Montpellier, France; and Retour de Guerre et Bilora directed by Jean-Louis Benoit at Théâtre de Nîmes. Before arriving to the U.S., Tual trained and performed internationally in France, Spain and the U.K. He is very much looking forward to moving to such an exiting city as New York. Upcoming roles include portraying Antoine Fourcroy in The Mystery of Matter: Oxygen for PBS by Emmy Award-winning director Muffie Meyer. less Yan is a French actor born in Paris. He recently appeared in The Life of Galileo and The Game’s Afoot (u/s) at Cleveland Play House as well as in CWRU/CPH MFA Acting Program productions of The Winter’s Tale, Present Laughter, An Orchard, Mnemonic and Cloud 9. Other credits include A... more
Bertolt Brecht: (Playwright) was born in Augsberg, Bavaria in 1898. Before becoming a professional playwright and poet, he studied medicine and worked as an orderly in a Munich hospital during World War I. Munich saw performances of his earliest plays Baal and Drums in the Night (influenced by then-emerging German Expressionism). After the war, Brecht moved to Berlin, capital of the Weimar Republic, Germany’s post-war democratic government. He soon became involved in the city’s theatre community, founding an influential writers group and working with such directors as Erwin Piscator and Max Reinhardt. In the midst of other projects, Brecht quickly wrote The Treepenny Opera for the opening of a new theatre, enlisting avant-garde composer Kurt Weill to provide a jazzy music new to Berlin theatre. An immediate hit in 1928, this satire of bourgeois morals, their most famous work, spawned several other Brecht/Weill musicals including Happy End and The Rise and Fall of the City of Mahagonny. Around this time Brecht discovered Marxism, and this historical and economic philosophy influenced much of his later writing. Brecht’s political sympathies put him at odds with the Nazi party, which came to power in the 1933 elections, and Brecht immediately left the country. He spent fifteen years in exile mostly in Scandinavia as the guest of several authors. He finally settled in Santa Monica, California, where he occasionally wrote for the film industry. At this time, Brecht wrote many of his most famous plays: Galileo, Mother Courage and her Children, The Private Lives of the Master Race, The Good Person of Szechuan and The Caucasian Chalk Circle. After being questioned by the House Committee on Un-American Activities, Brecht returned to a partitioned Germany in 1948, briefly staying in Zurich before settling permanently in Soviet-controlled East Berlin in 1949. Here he founded the renowned Berliner Ensemble where he served as director with Helene Weigel, his second wife and the Ensemble’s principal actress, until his death in 1956 from heart attack following a prolonged lung infection. less was born in Augsberg, Bavaria in 1898. Before becoming a professional playwright and poet, he studied medicine and worked as an orderly in a Munich hospital during World War I. Munich saw performances of his earliest plays Baal and Drums in the Night (influenced by then-emerging German Expressionism). After the... more
Clint Ramos: (Set and Costume Designer) designs extensively in New York, regionally and internationally. Recent set and/or costume design work includes The Intelligent Homosexual’s Guide to Capitalism and Socialism with a Key to the Scriptures, The Public Theater; the New York revival of Angels in America, Signature Theatre Company; and The Winter’s Tale in Central Park. Regional credits include Measure for Measure for Oregon Shakespeare Festival and Ruined for Berkeley Repertory Theatre, Huntington Theater and La Jolla Playhouse. Upcoming projects include Hamlet: Prince of Cuba, Asolo Repertory Theatre; Much Ado About Nothing, Shakespeare Theatre Company; Ma Rainey’s Black Bottom, Huntington Theatre Company; and Party People, OSF. Ramos is recipient of the 2010 Craig Noel Award, 2010 Lucille Lortel Award, 2009 TDF Irene Sharaff Award, 2007 and 2009 ATW Henry Hewes Award, Two Drama Desk nominations and a New York Theatre Workshop Design Fellowship. He has a Master of Fine Arts, New York University Tisch School of the Arts. less designs extensively in New York, regionally and internationally. Recent set and/or costume design work includes The Intelligent Homosexual’s Guide to Capitalism and Socialism with a Key to the Scriptures, The Public Theater; the New York revival of Angels in America, Signature Theatre Company; and The Winter’s Tale in Central Park.... more
Dan Scully: (Projection Designer) leverages a background in the performing arts and computer engineering to explore the intersection of visual art, technology, and storytelling. Working as a projection and lighting designer in opera, theatre, dance and music performance, Scully’s recent work includes 1969 for Alarm Will Sound, The Orchestra Rocks! for Carnegie Hall, Steel Magnolias at Trinity Repertory Company, Las Meninas at Asolo Rep and Seven Last Words for The Chamber Music Society of Lincoln Center. He is resident lighting designer for Abraham.In.Motion, with whom he won a 2010 Bessie Award for his design-work on The Radio Show. Scully earned his Master of Fine Arts from Tisch School of the Arts at New York University. less leverages a background in the performing arts and computer engineering to explore the intersection of visual art, technology, and storytelling. Working as a projection and lighting designer in opera, theatre, dance and music performance, Scully’s recent work includes 1969 for Alarm Will Sound, The Orchestra Rocks! for Carnegie Hall, Steel... more
David Edgar: (Translator) is one of England’s foremost political playwrights. He is the only living playwright to have had plays directed by the incumbent artistic directors of both the major British companies—Trevor Nunn, co-director of The Life and Adventures of Nicholas Nickleby for the Royal Shakespeare Company and Sir Peter Hall, who directed Edgar’s re-working of Entertaining Strangers for the National Theatre in 1987. “Black Tulips” is Edgar's contribution to The Great Game, The Tricycle Theatre’s cycle of short plays about Afghanistan which toured the USA in 2010 and included a command performance at the White House. His theatre credits include the following, among many others: Testing the Echo, Out of Joint (2008); Playing with Fire, NT (2005); The Continental Divide, Oregon Shakespeare Festival, (2003) and Birmingham Repertory Theatre/Barbican Centre, London (2004); The Prisoner’s Dilemma, RSC (2002); Albert Speer, NT (2000); Pentecost, RSC/Young Vic (1994-1995); and The Shape of the Table, NT (1990). He is recipient of numerous awards including Arts Council England’s John Whiting Award for Destiny; Society of West End Theatres and a New York Tony, Best Play Award for Nicholas Nickleby; the Plays and Players’ Best Play Award for Maydays; and the Evening Standard Best Play Award for Pentecost. His book How Plays Work is published by Nick Hern Books (2009). less is one of England’s foremost political playwrights. He is the only living playwright to have had plays directed by the incumbent artistic directors of both the major British companies—Trevor Nunn, co-director of The Life and Adventures of Nicholas Nickleby for the Royal Shakespeare Company and Sir Peter Hall, who directed... more
Fabian Obispo: (Composer and Sound Designer) has composed and sound designed for major off Broadway and regional theatres including The Public Theater, Manhattan Theatre Club, MCC Theater, Atlantic Theatre Company, Vineyard Theatre, New Group, Classic Stage Company, Primary Stages, New York Theatre Workshop, Theatre For A New Audience, Ma-Yi Theater Company, Women’s Project, Arena Stage, Goodman Theatre, Guthrie Theater, ACT San Francisco, The Shakespeare Theatre Company, The Kennedy Center, Oregon Shakespeare Festival, Seattle Repertory Theatre, Cincinnati Playhouse in the Park, Huntington Theatre Company, Long Wharf Theatre, TheatreWorks, Hartford Stage, Westport Country Playhouse, Syracuse Stage, Indiana Repertory Theatre, Playmakers Repertory Company, Delaware Theatre Company, Alabama Shakespeare Festival, Philadelphia Shakespeare Festival, Shakespeare Santa Cruz, Asolo Repertory Theatre, Florida Stage, Laguna Playhouse, Folger Theatre and New York Stage And Film among others. His works have been recognized by the Hewes Design Award, Helen Hayes, Bay Area Theatre Critics Circle, Barrymore, NAACP, Audelco, Jackie and Independent Reviewers of New England. less has composed and sound designed for major off Broadway and regional theatres including The Public Theater, Manhattan Theatre Club, MCC Theater, Atlantic Theatre Company, Vineyard Theatre, New Group, Classic Stage Company, Primary Stages, New York Theatre Workshop, Theatre For A New Audience, Ma-Yi Theater Company, Women’s Project, Arena Stage, Goodman... more
John Godbout: (Stage Manager) recently finished working on Red, Ten Chimneys, Daddy Long Legs and The Life of Galileo for Cleveland Play House, where he returns after having been CPH’s resident stage manager for eight seasons. Last season he worked at Capital Repertory Theatre and North Shore Music Theatre, where he stage managed a new adaptation of Disney's Tarzan. He has also stage managed for The Weston Playhouse, Berkshire Theatre Festival, Arkansas Repertory Theatre, Northern Stage, and Seaside Music Theatre. less recently finished working on Red, Ten Chimneys, Daddy Long Legs and The Life of Galileo for Cleveland Play House, where he returns after having been CPH’s resident stage manager for eight seasons. Last season he worked at Capital Repertory Theatre and North Shore Music Theatre, where he stage managed a... more
Michael Donald Edwards: (Director) is in his fifth season as producing artistic director of Asolo Repertory Theatre. Previously he was associate artistic director for Syracuse Stage and served as artistic director of Shakespeare Santa Cruz. A Garland Award and Drama Logue Award-winning director, Edwards has directed at Indiana Repertory Theatre, Geva Theatre Center, Syracuse Stage, The Shakespeare Theatre, San Jose Rep, Opera San Jose, Oregon Shakespeare Festival, The Old Globe of San Diego, Virginia Stage Company, Virginia Opera, State Theatre Company of South Australia, Opera Australia, Victoria State Opera (Australia), and The Metropolitan Opera. In previous seasons for Asolo Rep, Edwards directed The Smell of the Kill, Amadeus, Nobody Don’t Like Yogi, Darwin in Malibu, A Tale of Two Cities, Equus, The Winter’s Tale, Perfect Mendacity, The Life of Galileo, The Last Five Years and pieces in Asolo Rep’s first annual Unplugged festival of new plays. This year he is directing La Bête, Las Meninas and pieces in the second annual Unplugged. less is in his fifth season as producing artistic director of Asolo Repertory Theatre. Previously he was associate artistic director for Syracuse Stage and served as artistic director of Shakespeare Santa Cruz. A Garland Award and Drama Logue Award-winning director, Edwards has directed at Indiana Repertory Theatre, Geva Theatre Center, Syracuse... more
Peter West: (Lighting Designer) designed Sherlock Holmes: The Final Adventure for Cleveland Play House in 2007. Recent lighting designs include The Witch of Edmonton, Red Bull Theater, New York; An Ideal Husband, Shakespeare Theatre Company, Washington DC; and Shakespeare Santa Cruz’s 2011 season. In New York he has designed at many theatres including Neighbors at Public Theater, 9 Parts of Desire at Manhattan Ensemble Theater and various productions at Rattlestick Playwrights Theater, Manhattan School of Music, New York Theatre Workshop and Primary Stages. He has designed over 30 productions for The Juilliard School Drama Division. Regional work includes The Life of Galileo at Asolo Repertory Theatre, Amistad at Spoleto Festival and Martha Clarke at American Dance Festival. Other regional design credits are Berkeley Rep, Playmakers, Great Lakes, Seattle Rep, Huntington, Arena, Cal Shakes and the Geffen Playhouse. He is a proud associate of Red Bull Theater Company. West has toured internationally with White Oak Dance Project. less designed Sherlock Holmes: The Final Adventure for Cleveland Play House in 2007. Recent lighting designs include The Witch of Edmonton, Red Bull Theater, New York; An Ideal Husband, Shakespeare Theatre Company, Washington DC; and Shakespeare Santa Cruz’s 2011 season. In New York he has designed at many theatres including Neighbors... more
September 18 @ 2:00pm - 5:00pm
Play Dates - for children 5-12 and their parents
September 18 @ 6:00pm - 11:00pm
All the Stars in the Sky - Season Opening Party
September 20 @ 5:00pm - 9:30pm
Educator Evening - The Life of Galileo
September 22 @ 6:00pm - 10:00pm
nightOUT! - for LGBT community
September 27 @ 5:30pm - 9:30pm
Gen.NOW - for young professionals
October 04 @ 5:30pm - 9:30pm
College Night @ CPH
The Life of Galileo: Playbill: Click here for a digial version of the playbill for THE LIFE OF GALILEO
DIRECTOR'S NOTE: The Life of Galileo: It seems such a simple act. Point a telescope at the night sky – it was the result of that most natural of human impulses: curiosity. Then comes the thrilling, awesome and frightening moment: grasping what it is you are actually seeing. It is 400+ years since Galileo first did this – the pointing and the grasping - and 40 years since man landed on the moon. They are of course directly connected events. Small steps and great leaps. It is almost impossible for us to imagine a world where it was an absolute given for everyone that the earth was still and flat, that the sun and all the planets and moons, revolved around the earth and that the earth was the center of the universe. Yet this was the case a mere 400 years ago. Steadily, meticulously, through the most painstaking observation - which probably cost him his eyesight – Galileo proved that the earth is spinning on its axis as it rotates around the sun, that the sun is one of many billions of stars and that the earth is a tiny speck in one of many universes. This insight, this observation, this proof changed everything: scientifically, spiritually, politically. Everything. All our certainties about what, why, and how the world is, were suddenly profoundly challenged, examined and doubted. Some people at the time recognized what we now call a paradigm shift. They were excited that we could now question everything and that this liberation of the act of human enquiry would lead to extraordinary achievements in science and civilization. And in so many ways they were right. Three hundred and sixty years later the descendents of Galileo’s telescope landed on the moon. But for many this was a moment of great fear. They saw that somehow dark and chaotic forces would be unleashed by letting the world in on Galileo’s discoveries. They dreaded that pure scientific inquiry would become unmoored from morality and ethics and lead to destruction. As we now know all too well, they too in many ways were right. We have all pondered the awful achievement of a nuclear winter. Brecht’s superb play, as adapted by David Edgar, lives and breathes at the heart of this great paradox. It vividly reminds us that this great intersection of faith and reason, of science and morality, is directly connected to the future of us all. less It seems such a simple act. Point a telescope at the night sky – it was the result of that most natural of human impulses: curiosity. Then comes the thrilling, awesome and frightening moment: grasping what it is you are actually seeing. It is 400+ years since... more
Did Galileo Influence Theater?: William Shakespeare was born in 1564, just two month before the birth of Galileo. Shakespeare’s works were influenced by earlier writings such as ancient and Greek plays, but they were also heavily influenced by the world around him. Shakespeare describes the sights and sounds of London in his plays. His works include observations about current political struggles, the fear of diseases, and the popular language of the city's tradesmen and other professionals. Was Galileo one of those professionals that influenced Shakespeare’s plays? Galileo's discovery of the four brightest moons of Jupiter was reported in his 1610 publication of Sidereus Nuncius. Shakespeare’s play, Cymbeline, which first appeared about six months after Galileo’s publication, seemingly makes a strong connection to Galileo’s publication: While one character is asleep on the ground, Jupiter is hanging in the air above him, with four ghosts circling the tableau. It is possible that the ghosts represent the four moons of Jupiter that had recently been announced by Galileo in Sidereus Nuncius. less William Shakespeare was born in 1564, just two month before the birth of Galileo. Shakespeare’s works were influenced by earlier writings such as ancient and Greek plays, but they were also heavily influenced by the world around him. Shakespeare describes the sights and sounds of London in his plays. His... more
The Life of Galileo
September 17 - October 9, Allen Theatre
Written by Bertolt Brecht
Translation by David Edgar
Runtime:
Act 1 - 1 hour 15 minutes
Act 2 - 1 hour
Intermission - 15 minutes
- Reviews
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Congratulations to the Cleveland Play House on an outstanding initial production at your new theater. more "The Life of Galileo" was an excellent choice to begin your audience's new adventure. Well acted all around with an outstanding performance by Paul Whitworth as Galileo Galilei. It was also fun to see many local actors performing in this production. I am looking forward to an exciting season. Thank you !
- Phyllis SanAntonio, Cleveland, Ohio
I can't do better than simply to adopt the PD's review. I agree with more it completely. This was a wonderful production and a great start for the "new" CPH.
- Joel Brotman, Gates Mills
The lead did a stupendous job-so much dialogue to remember! I was intrigued throughout more the whole show. It was a look into Galileo's mind and philosophy of life. The cast was wonderful.
- BK, Westlake
This witty, elegant, and thought-provoking production is nearly flawless.
- Scene, Cleveland
"Galileo" is a world class theatre production! I love out new Allen Theatre, more too...a beautiful, intimate venue. Makes me proud to be a Clevelander.
- MK, New to Cleveland
Everything was great- acting, lights, pre-show discussion was particularly helpful
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Too dragged out- said the same thing 15 times- after two or three- I got it
- Ian Abrams, Cleveland, Ohio
I was impressed with the outstanding overall quality of The Life of Galileo. I more think the piece is relevant to todays society and brings about an interesting philosophical debate. The actor that played Galileo was exceptional, he brought depth and insight into an age old debate. I thought that the director made some bold choices with the staging, that seemed to work well with the excellent scenery, lighting and projection designs. It was a visual feast for the eyes and full meal for the mind. Please extend my heart felt thank you to the entire company for reminding me what a bright spot live theatre can be in our hectic world.
- Charles Smith, Medina, Ohio
This production was outstanding, as is the renovated Allen theater. the acting, the staging, more
lighting, and , of course,
the play itself left me wanting to see more theater of this quality. Thank you to the Cleveland Playhouse.
- Elaine S., Shaker Heighs
It's rare when a theater is able to turn a masterpiece into a reflection of more
the heavens.
- Keith Joseph, Lyndhurst
One of the things I have enjoyed about the playhouse (old and new) was that more
our seats were wonderful. I like seeing the actors' ex-
pressions up close and personal. The actor who played Galileo was terrific, as was the rest of the cast, actually. Scene design always piques my interest also. The piece across the back of the stage gave us those bits of information that really added to the story.
- Carol C., Mentor
The play was fabulous! The actor that played Galileo was just amazing. more We thoroughly enjoyed the play and the renovations of The Allen Theater are beautiful. We will definitely attend an another CPH event.
- Debbie & Rick, Chardon
Loved the show. Appreciated the opportunity to attend the pre-show dialog. I could more
bring more to the play and go home with fewer questions in my head.
I did not "get" the dance segment. but the rap was cool. Linking the stage action and dialog with the projections was fascinating. Do you have a smart board on stage?
- Karen Baker, Medina
The Asolo Rep Theatre in Sarasota had "Galileo" directed by Michael Donald Edwards. It more was outstanding. Michael Edwards is a genius. I look forward to coming to Cleveland and taking my family to see "Galileo". My recommendation is DON'T MISS IT. Get your tickets NOW.
- Scott Anderson, Sarasota, Florida
Excellent in every way! Engrossing, well-acted, thought-provoking, intellectual and entertaining. Loved the contemporary more touches . The projections are extremely helpful in keeping track of the historical timeline of the scenes, and in adding richness to the set. Well done! We highly recommend it!
- PB, Shaker Heights
Well done. Engaging story. Wonderful portrayal by the actors.
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I sat on the right side of the stage (facing it) in row G in seat 305. Missed much of the stuff that was projected on the back wall. And saw alot of movement in the wings on the left side of the stage.
- JSK, Cleveland, OH
A brilliant, not to be missed production. Paul Whitworth's performance is amazing. Michael more Bloom has made a perfect choice to usher in the new era of the Play House.
- John Reilly, Lakewood
I am currently reading a book about fundamentalism and this play made it clear that more religion, politics and power were alive and well during Galileo's life as they are today. The play was well executed and though, a little long, kept the audience interested until the very last "clear" at the end. The last 10 minutes were very moving, indeed. Thanks to CPH for bringing this production to Cleveland.
- Kathleen Maciuszko, Fairview Park
LOVED IT! Very interesting and informative, great acting, loved the diversityof the cast. Will recommend more it to EVERYONE I know! Oh, and the new theatre is absolutely beautiful, intimate yet not claustrophic, the lobby area is wonderful, acoustics are fantastic.
- CAM, Cleveland
Extraordinary theater experience! Mr. Whitworth's performance was engrossing and energetic, and he clearly inspired the more remaining cast and ensemble players to give their all. Nothing phoned in here, just good and solid acting all around. The design and execution of the staging was also a character in the production, and certainly made the most of the stunning renewed playhouse stage. Congratulations to all.
- JMR, Columbus, OH
This show is amazing! The large cast is carried by Paul Whitworth who is more amazing as Galileo. The staging is beautiful, with creative use of projections. The dialogue is thought provoking, but also humorous and entertaining. This play is like the new theater - contemporary in a classical shell. You have to see the play and the new space!
- Dave Loomis, Chagrin Falls, OH
Galileo's story is an inspiration to people today who are asking questions about hydraulic fracturing. more People want to ignore the science of polluting the environment and just focus on the jobs it will create. Galileo's indomitable spirit inspires me to keep asking questions, and trying to get answers. Apparently he was right that creating doubt is the only way to knowledge......... Not much has changed since the 1600's in that respect.....
- Fran Teresi, Garrettsville, OH
Galileo was simply wonderful! One of the best I've seen in the 10+ years I more have been a subscriber. And surprisingly enough, the trip to Playhouse Square was actually faster than to the old Playhouse...
- Christine, Mentor, Ohio
excellent portrayal, engrossing drama, with revelance to current issues
- JDG, lakewood
...the production...explodes into something fabulous or magical.
- Plain Dealer, Cleveland
We enjoyed the performance. I was saddened but not surprised to see how the more challenges that face scientists are timeless and thought that the Cleveland Play House rendered a great service by capturing the angst of how we progress out of the darkness of ignorance.
- MB, Willoughby Hills
This was without a doubt the best adaptation I've seen of this play, and I more loved the connections made between its important themes and contemporary issues. As a grad student at OSU in German in the 1970s, I did a research project on this play and have loved it ever since. I now teach at Kent State and brought some Honors students to the Sept. 25 performance.
- Christina McVay, Kent, Ohio
...a well developed, focused, creative, often funny production at CPH.
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- Cool Cleveland, Cleveland
Paul Whitworth's Galileo is a passionate humanist with the perpetual glint of curiosity in his more
eyes. Whitworth's subtle and marvelous transition from an energetic and energizing discoverer at the beginning of the play to a near-broken, excommunicated old man at the end is spellbinding.
- The News-Herald, Lake County
Did not know what to expect. Thoroughly enjoyed the show. Love the remodeled more theater. The Life of Galileo is relevant in its dialogue about new thoughts and ideas. We all need to be more open minded and accepting of new things.
- AB, North Royalton
Captivating. Our world today (tea party, global warming) has much in parallel with the more church position in Galileo's time. Easy to see the parallels. That, in itself, makes the play interesting.
- R. W., Beachwood, OH
Life of Galileo was extraordinary! The lead actor WAS Galileo, and the supporting cast around more him just magical. The two Andreas and his mom, the young Monk, and the lens grinder were terrific foils for scientist, and the young actors portraying Virginia and Ludovico were especially poignant. I REALLY HATED the Cardinal Inquisitor, so we KNOW that actor was pulling it off! Very thought-provoking and visually stunning as well!
- Kira Seaton, Broadview Heights
Simply AWESOME. This is the kind of show that makes me grateful for theater. Kudos more to you for choosing such a salient play, and a standing ovation to the director and cast who made it come alive in such an exciting way. The acting was exquisite, spot on, and the fresh staging reinforced the timeliness of the play. I left with my head spinning full of questions and philosophical ideas, feeling that, as an audience member, I too had been an important part of a larger dialogue on values, truth, and fear. Thank you for such an amazing experience.
- L. Jaques, Akron
Excellent!!! What a wonderful performance.
- SW, Cleveland Heights
Congratulations to the Cleveland Play House on an outstanding initial production at your new...
- Phyllis SanAntonio, Cleveland, Ohio





























